Anne DePasquale
[1993, Textiles]
Based in New York, NY
Innovation and attention to impeccable details is my work is a driving force. I create one-of-a-kind accessories combining classic millinery techniques and shapes with cutting-edge details. Tie-dye, gold leafing, graffiti and unconventional materials like 35mm film, define the signature Anne DePasquale new vintage style.
How does your current creative practice tie into your time spent at RISD?
At RISD we were encouraged to explore our creativity while developing our critical thinking skills. In my work, I strive to push the boundaries of traditional headwear to create accessories that stem from those traditions, while creating something fresh and new each season. I use classic techniques, incorporating unconventional materials in many designs. One of my signature collections features 35mm film as headwear. I use my textile training to create other signature hat collections utilizing gold leafing and tie-dying of hats. I am currently in the process of integrating a Latch Hooking tapestry tecnique into my new collections. Additionally, I am creating a new line of printed textiles to highlight my 2019 Collections.
What are some of the most important practices for your creative process?
There is no shortage of inspiration to draw from in NYC. The people, the art, the architecture, the energy – all create a vibe that helps me form ideas. My process is to explore life through childlike eyes, as if everything is new. Every day, I try and view the “ordinary” from a new perspective. Sleep is also very important in my creative process. Often I come up with my best ideas either right before I fall asleep, or as I am waking. I harness my intuition and then try to breathe life into it. Sometimes the piece turns out just as imagined, and sometimes it doesn’t. Sometimes what seems to be a mistake becomes my favorite piece. I stay open to the process and to my craft.
Tell us about some of your main sources of inspiration.
My current main source of inspiration is juxtaposing nature and city elements. Flowers are a huge design element for my festive fascinators for Kentucky Derby and Central Park Conservancy headwear. I am particularly fascinated by the colors of the sunset sky as they reflect on the hard lines of the Manhattan skyscrapers.
Is there a work/body of work that you are particularly excited about sharing with us at RISD Craft this year?
This year for my Fall/Winter Collections I am working with a new technique generally used for rugs called Punch Rug Hooking. I’m using this technique to put a new twist onto my classic 1920’s inspired cloche hats. This collection will be a tapestry of Art Deco design details, and a palette inspired by seasonal changes in New England.
Any recent press, exhibitions, achievements or awards you’d like to share with us?
I am quite excited about numerous shows I worked on this year. I made hats for My Fair Lady which just won the Tony for best costume design. I also made hats for Frozen on Broadway, Come From Away, and The Cher Show, designed by Bob Mackie. It was a dream come true to work with the legendary designer. I am also excited to expand my business. In addition to online and RISDCraft, this year I will be showing at Pop-Up Shop’s and art shows in and around NYC. Check my instagram for show details @AnneDePasquale.
To see more of Anne’s work, visit annedepasquale.com
